Blade Runner 2049 2017 Pelicula Completa Castellano
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Blade Runner 2049 2017 Pelicula Completa Castellano
Equipo De Filmación
Coordinación Departamento de arte:
Devost Joey
Coordinador de acrobacias:
Steiner Melodee
Diseño de guión:
Gamar Negra
Imágenes : Sonica Denice
Co-Produzent : Haleigh Fortun
Productor ejecutivo : Tamblyn Eklavya
Director de arte supervisor:
Dane Sheehan
Produce|Producir : Chandra Muawwiz
Actriz : Sakib Neev
7.4
7473
Título de la película | Blade Runner 2049 2017 Pelicula Completa Castellano |
Duración | 193 minutos |
Lanzamiento | 2017-10-04 |
precio | MP4 720p WEBrip |
Género | Science Fiction, Drama |
lenguaje | English, suomi |
nombre de reparto | Tanim Y. Dwij, Prospect PicturesZavala K. April, Leccia Q. Alaina |
[HD] Blade Runner 2049 2017 Pelicula Completa Castellano
"Blade Runner 2049 embraces the enormous shadow cast by Blade Runner 1982 by crafting a vast immersion in scale and vision..."
Read the full review here: http://screen-space.squarespace.com/reviews/2017/10/5/blade-runner-2049.html
In a wonderfully woeful world, a detective makes a sad attempt at a relationship, has the most inventive sex scene ever committed to screen, and grapples with an existential crisis as he does his work. This stuff, which could work as a standalone story, is so strong that this movie must be seen.
Unfortunately, the movie doesn't realise that the protagonist's everyday life is the best part, and instead focuses on a larger-than-life, goofy premise meant to tie 2049 to the original and set up another sequel, thus undermining what would otherwise be a gripping, intimate story.
Hail to the Science Fiction gods as they came to their senses and granted upon the eagerly movie-going masses the long-awaited arrival of a stunning and opulent _Blade Runner_ sequel. Perhaps we should praise the understated genius and visionary mastermind Ridley Scott for his 1982 directorial accomplishment in serving up what appeared to be an underappreciated and overlooked SF thriller in its heyday over three decades ago only for it to emerge now as one of the greatest Science Fiction futuristic capers worthy of its cult classic following?
Maybe the long overdue kudos are reserved for the diehard nostalgic _Blade Runner_ bunch whose committed and fanatical fandom was the key catalyst for this undeniably brilliant, brainy, dazzling and polished presentation to resurface and give new vitalizing breath and striking energy to the Science Fiction genre in conception? Could it be possible that Hollywood simply saw opportunistic and healthy box office receipts to restart another pop cultural juggernaut from yesteryear’s cinematic scene?
Is there a returning Harrison Ford fixation/fetish blossoming courtesy of his past blockbuster film resume that boasts the obvious inclusion of prominent SF/adventure fantasy biggies such as both the _Star Wars_ phenomenon and the _Indiana Jones_ installments with _Blade Runner_ now taking up the matinee mantle?
Regardless of the film-making forces at hand or the key reasoning for this 164 minute visually arresting odyssey updated and packaged for bombastic _Blade Runner_ enthusiasts and dedicated SF connoisseurs the proof is in the proverbial pudding as **Blade Runner 2049** has made its auspicious presence known and succeeds thrillingly as an indelible wonderment in imagination, intrigue and intelligence.
Breathtakingly rich and vibrant in its overlong execution, **Blade Runner 2049** is a lustrous escapist epic that resonates with snappy pop, thought-provoking tendencies and atmospheric grittiness that soundly resonates. And yes…the participation of the aforementioned and omnipresent Ford reprising his role from 35 years ago is indeed the appealing and motivating factor to re-enter the anxiety-driven world of intrusive replicants, societal annihilation and the guessing game of humanity infiltration.
It seems that the intense workmanlike charm and structured suspense in the rebooted **Blade Runner 2049** has not missed a single beat as it colorfully brings its brand of contemplative tension and underlying humorous texture to this sumptuous spectacle. Importantly, the film’s philosophical edginess and saturated cynicism stays true to Scott’s unflinching vision of introspection about the valued properties of life and who are the chief architects of such a unique gift of existence. Consequently, speechless Science Fiction audiences once again are transfixed by the mesmerizing yet old adage about the rivaling ‘have’s and ‘have nots’ especially so vital in the gloomy squalor and doomsday darkness that Scott created so fervently in his vintage edition that set the stage for renegade blade runners in a power struggle with defiant, roguish replicants disastrously flirting with the sacred boundaries of humankind.
Filmmaker Denis Villeneuve (‘Arrival’, ‘Sicario’, ‘Prisoners’) has stepped into some pretty mighty cinematic shoes in dusting of the mothballs of _Blade Runner’s_ haunting and hedonistic past in an accomplished effort to bring forth a percolating potboiler of a challenging and imaginative hue to its succulent successor in 2049 with surging, exquisite aplomb. Screenwriters Michael Green (‘Alien: Covenant’, ‘Logan’) and Hampton Fancher (‘Blade Runner’, ‘The Minus Man’) manage to brilliantly convey the dystopian disillusionment as the caustic yet compelling commentary concerning the decline of humanity and how it is feverishly on the brink of non-existence. The fuzzy lines are crossed for the calculating chaos and corruptible wheels that are turning so aimlessly and shockingly. The sins of sinners, good, bad or indifferent, gloriously are stemmed in moodiness and mystery. Additionally, notably iconic cinematographer Roger Deakins (‘Fargo’) cultivates a dank, hazy-coated landscape where shadowy imagery compliments the dour suspicions of determined man versus durable machine co-existing in a hostile futuristic fantasy world of techno-dismal dimensions. Also, kudos are reserved for Hans Zimmer and Benjamin Wallfisch for their soaring, energetic score that undercuts the tension and turmoil.
In a nutshell, Ryan Goslin (Oscar-nominated for 2016’s ‘La La Land’) is a young blade runner known as ‘K’ whose mission is to track down veteran Rick Deckard (the returning Harrison Ford…also a former Oscar nominee) in the aftermath of a major uncovered secretive revelation that requires the missing senior badge-flashing blade runner’s undivided attention. The problem remains, however, is that Deckard has been out of circulation for three decades and so the search is on for K to hunt down the long-absent Deckard.
Indeed, Officer K’s critical and contemplative police work is, to mildly put it, seek out the about-to-expire, unpredictable and resistant replicants and eradicate them when necessary. The replicants, mechanical menaces with artificial intelligence that are living among the humans incognito, are the main focus of the LAPD and K enthusiastically is immersed in the manhunt for the hidden techno-tyrants with militant mindsets that could strike at any moment among the walking flesh. K strives to put them out of their mechanical misery as his sworn duty to serve and protect but he is handcuffed (no pun intended) by the political politeness and procedural proprieties as pushed by his boss Lt. Joshi (Robin Wright). Basically, K is under surveillance based on his fragile mental state and Joshi is the one to contain this gritty-minded cop’s wandering psyche.
Thankfully, there is undeniable texture and intensity that fortifies **Blade Runner 2049** due to the layered and complex story that effectively taps into the robust realm of man’s possible mercy call at the dominant feet of advanced and sophisticated technology. This observational sentiment certainly rings true in contemporary times as selective human beings feel lost, intimidated, overwhelmed and need to surrender to the mounting shifty pressures of an exposed society seemingly ruled by sinning opportunists on both sides of the shady aisle, mechanisms rendered equally with blood and bolts.
Refreshingly, **Blade Runner 2049** is devoutly cerebral in passion and old school perception. Oddly, Villeneuve’s mixture of science fictional roots and thought-provoking dramatic art house probing works while adding a realistic and somber milieu of existential foreshadowing. Gosling is gloriously geared as the hound dog-faced law enforcer too close for comfort on the fringe of film noir-style burnout as he gets embroiled deep into an abyss of head-scratching discoveries. Ford does not miss a single beat as the gravel-faced, handsome-aged Deckard saddled in adventurous mode despite the matured years since his early 80s heyday in the mundane, ground-breaking _Blade Runner_ blueprint from yesterday. Oscar winner Jared Leto (‘Dallas Buyers Club’) joyously lets it all hang out as the wickedly off-kilter character Niander Wallace. The feminine inclusion of Wright’s top policing babysitter Joshi and Ana de Armas as K’s love interest, Joi, are welcomed personalities. Ex-wrestler/actor Dave Bautista (hot off the ‘Guardians Of The Galaxy’ film series) is a larger-than-life specimen as always in proven popcorn blockbusters.
Convincingly well-structured, profound, purposeful and without a prosaic bone in its bountiful body **Blade Runner 2049** is stunningly sumptuous Science Fiction theater for the thinking man and for the progressive machinery master-blasters as well.
**Blade Runner 2049** (2017)
Warner Bros. Pictures
2 hrs. 44 mins.
Starring: Ryan Gosling, Harrison Ford, Robin Wright, Jared Leto, Ana de Armas, Sylvia Hoeks, Mackenzie Davis, Lennie James, Dave Bautista and Carla Juri
Directed by: Denis Villeneuve
Written by: Michael Green and Hampton Fancher
MPAA Rating: R
Genre: Science Fiction/Action & Adventure/Fantasy/Drama
Critic’s Rating: ***1/2 stars (out of 4 stars)
(c) **Frank Ochieng** (2017
The film was actually rather disappointing. As a film it was OK, but as a sequel to Blade Runner, it was terrible. There were some nice in-jokes and references, but overall low-brow junk masquerading as high-brow gold (it was directed by Villeneuve, so I really shouldn't have expected better, the only thing he's good at is making stupid people think they are clever). Everything seemed forced and unnatural. The plot was trite and cliched, and everything was very predictable. Totally a wasted opportunity ;^
Strikes a true balance between new and old. Denis Villeneuve has a perfect filmmaking record in my mind, and _Blade Runner 2049_ continues that trend with aplomb.
_Final rating:★★★★ - Very strong appeal. A personal favourite._
As a movie this is a very good movie. The scenery, the acting, the colors etc. are of a very high technical standard. To me personally however, this movie is much too dark and depressing for my taste.
I cannot say that I am surprised that the movie is dark. The first movie was a rather dark one after all and this one is a truly post-apocalyptic one. I quite liked the first movie despite its dark setting though. However this one takes the darkness and melancholy to an entirely new level.
As I said before, technically the movie is great. The scenery is stunning whether it is a dirty little hut out in the badlands or the equally dirty vast cityscapes. The scenes of the abandoned city where Decker is (re)introduced is sad but beautiful.
The acting is more or less great from all the main characters and the special effects are very well done and just right to fit with the rest of the movie.
Unfortunately I cannot bring myself to give it more than 3 out of 5 stars. It has nothing to do with the quality of the film but a lot to do with my personal taste which of course is reflected in my ratings.
I don't understand what people like in this movie. It has some good things, but nothing much to deserve such big rating. Soundtracks & atmosphere are really good & it's well shot, however story is confusing & everything is all over the place. I still didn't understand what was the whole story of movie and it is extremely slow & prolonged. Very small amount of talking & a lot observing moments. Every minor action is prolonged. Like you see man laying in the snow for a few minutes & etc... I didn't like the movie & it took more than 2:30 hours of torture and boredom...
Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what's left of society into chaos. K's discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
Blade Runner 2049 Wikipedia ~ Blade Runner 2049 premiered in Los Angeles on October 3 2017 and was released in the United States in 2D 3D and IMAX on October 6 2017 The film was praised by critics for its performances direction cinematography musical score production design visual effects and faithfulness to the original film and was considered by many critics to be among the best films of 2017
Blade Runner Wikipedia ~ A sequel Blade Runner 2049 was released in October 2017 Seven versions of Blade Runner exist as a result of controversial changes requested by studio executives A directors cut was released in 1992 after a strong response to test screenings of a workprint
Blade Runner 2049 soundtrack Wikipedia ~ Blade Runner 2049 Original Motion Picture Soundtrack is the soundtrack album for the 2017 film Blade Runner 2049 Released in October 2017 the album contains music composed by Hans Zimmer and Benjamin Wallfisch along with additional tracks by Elvis Presley Frank Sinatra and Lauren Daigle
List of accolades received by Blade Runner 2049 Wikipedia ~ Blade Runner 2049 is a 2017 American neonoir science fiction film directed by Denis Villeneuve and written by Hampton Fancher and Michael GreenA sequel to the 1982 film Blade Runner the film stars Ryan Gosling and Harrison Ford with Ana de Armas Sylvia Hoeks Robin Wright Mackenzie Davis Carla Juri Lennie James Dave Bautista and Jared Leto in supporting roles
Blade Runner 2 The Edge of Human Wikipedia ~ In the late 1990s Edge of Human had been adapted into a screenplay by Stuart Hazeldine Blade Runner Down that was to be filmed as the sequel to the 1982 film Blade Runner 5 6 Ultimately neither this script nor the Jeter novel was used for the eventual sequel Blade Runner 2049 which uses a different story
List of Blade Runner characters Wikipedia ~ In Blade Runner 2049 it is revealed Rachael as the sole Nexus7 was given the ability to reproduce by Tyrell During an apparently routine investigation Blade Runner Officer K uncovers a box containing bones and hair buried under a tree
Blade Runner soundtrack Wikipedia ~ Blade Runner is the soundtrack album for the 1982 film Blade Runner composed by Greek electronic music composer Vangelis It is mostly a dark melodic combination of classical composition and synthesizers which mirrors the futuristic film noir envisioned by director Ridley Scott
List of neonoir films Wikipedia ~ The following is a list of films belonging to the neonoir genre Following a common convention of associating the forties and fifties with film noir the list takes 1960 to date the beginning of the genre
Replicant Wikipedia ~ A replicant is a fictional bioengineered being in the 1982 film Blade Runner and in its 2017 sequel Blade Runner Nexusseries of replicants are virtually identical to adult humans but have superior strength speed agility resilience and intelligence to varying degrees depending on the model
Do Androids Dream of Electric Sheep Wikipedia ~ The book served as the primary basis for the 1982 film Blade Runner and many elements and themes from it were used in its 2017 sequel Blade Runner 2049 The main plot follows Rick Deckard a bounty hunter who is tasked with retiring killing six escaped Nexus6 model androids while a secondary plot follows John Isidore a man of subpar IQ who aids the fugitive androids
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